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to share (third-person singular simple present shares, present participle sharing, simple past and past participle shared) 1. To give part of what one has to somebody else to use or consume. 2. To have in common. 3. To divide and distribute compartir Etimología: Del latín compartiri y éste de cum (con) y partire (dividir) Verbo 1. Dividir algo y repartirlo. 2. Dejar participar a otros en lo que es de uno. 3. Referido a ideas o sentimientos, tener los mismos que otra persona.
Very nice!
gentlemanlosergentlemanjunkie:

largemick23:

Dark City

Highly stylized poster for Alex Proyas’ Dark City, inspired by German Expressionism.

Very nice!

gentlemanlosergentlemanjunkie:

largemick23:

Dark City

Highly stylized poster for Alex Proyas’ Dark City, inspired by German Expressionism.

(via hannahsfollies)

More prove we really need Hamlet based mother’s day cards… “My mother: father and mother is man and wife; man and wife is one flesh; and so, my mother.”

More prove we really need Hamlet based mother’s day cards… “My mother: father and mother is man and wife; man and wife is one flesh; and so, my mother.”

We need Hamlet based mother’s day Hallmark cards! “A bloody deed! almost as bad, good mother, 
As kill a king, and marry with his brother.”

We need Hamlet based mother’s day Hallmark cards! “A bloody deed! almost as bad, good mother,
As kill a king, and marry with his brother.”

Rosalind Russel owning it!
deforest:

Rosalind Russell in His Girl Friday (1940)

Rosalind Russel owning it!

deforest:

Rosalind Russell in His Girl Friday (1940)

(via mudwerks)

:-)  (at Radio Universidad de Puerto Rico)

:-) (at Radio Universidad de Puerto Rico)

cinephilearchive:

Unseen photos from The Conversation: Filming in Union Square

the edit room floor:

Behind the scene photos (from original contact sheets) of filming the famous opening scene.

“The film was edited by Walter Murch, who in a way collaborated with me on the film as much as possible, especially since I was working on THE GODFATHER PART 2. He was cutting, and a lot of the editorial decisions are his.” Francis Ford Coppola, Filmmakers Newsletter, Volume 7 #7 (Coppola was extensively interviewed about The Conversation by Brian De Palma in this issue)

The lost scenes of The Conversation part 1, 2, 3, 4, 5, 6

The Conversation (1974) Audio Commentary with director Francis Ford Coppola


Orson Welles, unlike Eisenstein and Dreyer, has never considered film as a plastic object but rather as a duration, something which unwinds like a ribbon; he has defined film, in fact, as “a ribbon of dreams.” - François Truffaut

Orson Welles, unlike Eisenstein and Dreyer, has never considered film as a plastic object but rather as a duration, something which unwinds like a ribbon; he has defined film, in fact, as “a ribbon of dreams.”François Truffaut

(Source: oldfilmsflicker)

Aspiring milm critics do take notes here…
nevver:

How to be a clever film critic

Aspiring milm critics do take notes here…

nevver:

How to be a clever film critic